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Archive for the ‘workshop’ Category

Having just returned from a three-week holiday, I had plenty of time to look back to 2013, and look forward to 2014. Last year has been amazing, and I’m sure this will continue in the new year!

Looking back

Darning

Darning at Wool House, Somerset House

I was invited to darn at Wool House, Somerset House, as part of the very successful Campaign for Wool event. I had a great time, and Wool House put my darning sessions in the “best bits” list! It was super-busy, and I think I have enthused quite a few people about darning, and also explain why I like using 100% wool products.

Hope and Elvis Darning Workshop

2013 also saw the first of my day-long darning workshops. I went to Hope & Elvis, lovely Louise’s great studio. It’s stuffed to the gills with vintage fabrics, blankets, threads, scraps, books and any tool you would possibly need, so it was a lot of fun to explore various darning techniques. You’ll be pleased to hear I’m returning there in April.

ShetlandWoolWeek Darning at Jamieson & Smith

Last but not least, my darning skills took me to Shetland! Here’s a picture of my darning class at Jamieson & Smith. I had a great time, I met so many amazing people, with amazing skills. I left a few loose ends on purpose, so I have a good reason to return.

Knitting

Curiosity Cabinet of Knitting Stitches Lace

Early last year I exhibited at Prick Your Finger. My Curiosity Cabinet of Knitting Stitches explored many different knitting stitches and techniques, some old and rare, others common and much-used. It was a good way to learn about different techniques, and investigate them in detail.

Altered Kasha Cardigan for Wedding Outift

Rosemary had seen my Curiosity Cabinet, and thought I’d be the ideal person to take on a commission for her wedding outfit. I gladly took this on, and I knitted a Kasha Cardigan for her, with some alterations: a different collar, and three-quarter length sleeves. It was a great project to work on, and Rosemary has been wearing her cardigan many times since.

Aleatoric Fair Isle Swatch

Last year I also explored stranded colourwork, and in particular the Fair Isle tradition. Together with my comrade in wool, Felicity Ford, we devised a method to learn more about Fair Isle patterns, which took away some of the hurdles we often face when trying to knit Fair Isle. Using rules we made up and some dice, we left pattern and colour selection to chance, based on John Cage’s compositional concepts. We called this Aleatoric Fair Isle.

Spinning

Diamond Fibre Mill spinning

Other highlights include my visit to Diamond Fibre Mill, where I met Roger, who runs this small independent mill, specialising in worsted spinning, and who owns his own flock of Romney sheep.

timbertops chair spinning wheel

I also became the proud owner of an original Timbertops spinning wheel. A chair wheel no less. I haven’t had a chance to write about this yet, so keep your eyes peeled for a blog post in the near future.

Special mention

And if all that wasn’t quite enough, Kate Davies, Felicity and myself curated Wovember 2013 to celebrate wool in all its myriad forms. We posted features about growing, harvesting, processing, working, and wearing wool. I did many more things last year, so these were just some of my highlights.

Looking forward

Plans for 2014 are forming in my head, and amongst others, I’m looking forward to releasing my first cardigan pattern, using Foula wool. A bit later than expected, but it’s important to me to get everything right. I will continue working on the Aleatoric Fair Isle swatches. I’ve also taken on a very special visible mending commission to repair an upcycling attempt gone wrong. As previously mentioned, not only will I return to Hope & Elvis for a darning workshop, I will also run a Darning Master Class at Unravel at Farnham Maltings. More classes and workshops are in the pipe-line, so keep an eye out for them.

Scotch darn on sock

2014 will also be the year of exploring. I did some free-style knitting before Christmas, and I found it very liberating. I found some good books on the subject, and I have also been inspired by Rachael Matthews’s approach to making, and in particular what became her Explosion Jumper.

On the spinning front I want explore more lace-weight spinning, using wool from both classic breeds (Shetland), and unexpected breeds (Rough Fell.)

Last but not least I would like to explore more mending techniques, and in particular learn more about darning and repairing woven textiles. And I still have one or two jumpers to complete…

darned jumper

 

I don’t know about you, but I think I have plenty of things lined up, and it will be my pleasure to share them with you and write about them here.

Happy New Year!

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A couple of weeks ago I returned from Shetland Wool Week. I was invited to run two darning workshops, and to present the works-in-progress of the Aleatoric Fair Isle project I’m working on with Dr Felicity Ford. I have met so many amazing people, seen impossible feats of spinning and knitting, and enjoyed the landscape.

Hanging out with Felicity, who’s a sound artist, it may come as no surprise that apart from all the woolly wonders, I will now forever associate two songs with Shetland. The first one was recorded in 1960 for an oral history project for the School of Scottish Studies. The interviewer asks Rosabel Blance to talk about her own composition Da Spinning Sang (the spinning song.) He is clearly fishing for an answer with deeper meaning, but Blance is very matter-of-fact about it. But then she sings it and really, no explanation was ever necessary:

Taese da Shetlan oo till it’s clear an fine / Lyin laek a clood wi a silver shine

(tease the Shetland wool till it’s clear and fine / lying like a cloud with a silver shine)

But that’s enough poetry for now. Here are some pictures I took during Shetland Wool Week, in no particular order:

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The view from our log cabin – we stayed at Nortower Lodges, and we couldn’t have wished for a better cabin.

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The view from Fort Charlotte, in the centre of Lerwick. Luckily most days the weather was much nicer than these two pictures would have you believe.

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Felicity helping out participants of our Aleatoric Fair Isle workshop. Rolling the dice and following rules to create Fair Isle swatches proved controversial in some quarters, but I think we all had a good time in the end.

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A fine Shetland Ram at the Flock Book Ram Auction. In order to prevent an ever dimishing gene pool within their flocks, sheep farmers sell off their rams, and buy new ones frequently.

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A visit to Jamieson’s of Shetland‘s mill in Sandness. One of many banks of spinners; in many ways a very different affair from Diamond Fibres Mill, which I visited recently. Jamieson’s spin their fibres with the woollen method, resulting in a lofty, warm, yet light yarn, very suitable for Shetland wool. Diamond Fibres on the other hand, specialise in the worsted spinning method, which is much better suited for longwool (like their own flock of Romney sheep) and this makes for a smooth and lustrous yarn.

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The Textile Museum has a working loom, as found in the traditional crofts. Until my visit, I never knew that Shetland once was also famous for their tweed fabrics.

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As part of the Flock Book Ram Auction, there was also judging of the best rams. Here are the Shetland hot shot rams, all together in a special judging area. The atmosphere was palpable and tense, as a price-winning ram means a lot to the owner.

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And here is your good self. Elizabeth Johnston, spinner and dyer extraordinaire, showed me how the Shetland lace spinners managed to get such exceedingly fine yarn. After three hours of blood, sweat, tears, and some rather flowery language, I managed to get some extremely fine yarn. Elizabeth told me that I had started to understand the technique, but that my thread wasn’t near fine enough… The aim is to make a single ply the thickness of six individual fibres. This will then be used to make a two-ply yarn. I will keep on practising!

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This delapidated croft was not far from our lodgings, so we passed it every day.

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I also ran two darning classes. A drop-in session took place at the Shetland Museum and Archives, who helped organise Shetland Wool Week, and who invited me to come over in the first place: so a massive thanks to them for making this visit possible. Secondly, I ran a darning master class at Jamieson & Smith, pictured above. More thanks due here, as they kindly provided Felicity and me the yarns for our workshops.

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Susan Freeman found a new application for the Scotch darning technique. As you can clearly see in this picture, you can make pockets! I think I will have to add a fountain pen pocket to one of my cardigans.

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And here is a beautiful gift from Diane Houdek, who came all the way from America for Shetland Wool Week especially. A small box with teeny tiny wooden reels of darning silk. What a magnificent addition to my collection of mending ephemera!

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The fleece in this picture was chosen as the Champion fleece during a fleece-judging competition. The fleeces are judged on, amongst others, resilience, crimp, uniformity, and presentation. Readers of Jane Cooper’s excellent blog Mrs Woolsack’s Blog, may recognise this fleece. Incidentally, Jane also maintains the Woolsack website. Woolsack was started as a Cultural Olympiad Inspire project to make British wool cushions as personal welcome gifts from the people of Britain to the London 2012 Olympic and Paralympic athletes. The Woolsack website now lists and links to information and sources of British wool products from spinning fibre to dyed knitting yarn and woven fabric.

Oliver Henry, Jamieson & Smith

Here you can see me with the fleece judge himself: Oliver Henry, who is the Master Woolsorter at Jamieson & Smith.

The keen observer will be wondering where that second song comes in, that for me is so inextricably linked to Shetland? Well, as part of Felicity’s lecture Listening to Shetland Wool, she composed a song, which she performed at the end.

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Here she is, performing it in the Jamieson & Smith shop. Sandra Manson and Adam Curtis are listening intently. As Felicity was fine-tuning the song during any spare moments we had at the lodge, I can sing it from start to finish. It has proved to be a great success, and indeed, it has found its way to the internet. One word suffices, as Oliver Henry said: BRILLIANT.

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Last Friday I made my way up to Retford, Nottinghamshire, to stay with Louise Presley, owner of Hope & Elvis. Louise and her husband Nigel were very welcoming and made me feel right at home, making sure I was fed and watered and had a good night’s sleep in preparation for the darning and mending workshop I ran at her beautiful studio on Saturday.

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Hope & Elvis studio, darning examples and reference books on display

By 10am everybody had turned up, and after an introduction to my Visible Mending Programme, I used some of my darned garments to discuss a variety of techniques. I explained why I had chosen them, and what the advantages and disadvantages of each technique was. Then, whilst having a cuppa and a biccie, each student showed what they had brought to repair and we discussed ideas together.

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Repair in progress at Hope & Elvis

Throughout the day I demonstrated stocking darning, Swiss darning, Scotch darning* and giving hints and tips on what materials to use, make people think about whether their darns would be practical or an embellishment. Needless to say, I also showed my Speedweve, and I was so pleased to see that Louise not only had one herself, but that she also had a Star darning machine!

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A darn in contrasting thread

Louise’s studio is crammed from floor to ceiling with vintage haberdashery, blankets, fabrics, needlework gadgets, threads, yarns, old and new books, and it was fantastic to have all of this to our disposal. Although we had a break for lunch, most people were keen to continue stitching, and I think that when you see the following pictures you’ll agree that everybody made something amazing on Saturday. With apologies in advance: I haven’t remembered everybody’s name – I must be getting on a bit…

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Marks made on a blanket

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Pattern darning sampler

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Buttonhole filling stitch by Mister Finch

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Sock stitch sampler

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Sturdy sock embellished with damask darning

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Delicate darning by Dawn

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Patched up ripped underarm seam by Sarah

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Meta-darning of a tear in a paisley scarf

It feels good to know that there are a few cardigans, tops and scarves back in the wardrobe, rather than lurking in the mending basket!

I hope my next darning class will be just as successful. It’s coming Friday, 10 May, and there are still a few places left if you’d like to sign up.

*) On Scotch darning: for months now I have been trying to find a copy of a particular edition of Weldon’s Encyclopaedia of Needlework, which explains the Scotch darning technique. I have discussed variations on it in this post, but Saturday was my lucky day. Louise had two copies of said edition, so she gifted one to me! Here is The Page:

HE_ScotchDarning

Scotch darning explained

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Late last autumn I bought a jumper from a charity shop. It was a nice enough woollen jumper. But after wearing it a few times, I wasn’t feeling the love anymore. As I was keen to explore a technique I tried out on a cardigan last year, I indulged in ten skeins of Appleton’s crewel wool:

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Ten shades of Appleton’s crewel wool, and a boring jumper

It was time to say Bye Bye Boring Jumper, and Hello Amazing Jumper:

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Bye Bye Boring Jumper, Hello Amazing Jumper!

In a way this is a darning sampler gone slightly out of hand. The bottom half consists of blocks of crewel wool woven in and out of the stitches of the knit fabric:

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Damask darning on knitted fabric

As you can see, there’s plenty of different patterns to make, and yet I think I’ll run out of jumper before running out of ideas! In some patterns I pick up a single “leg” of a knit stitch, in others I pick up a whole stitch, or even more. Some of these patterns are based on existing patterns from other sources. There are quite a number of herringbone variations, a Prince of Wales Sanquhar tweed pattern, and a simple houndstooth, too.

HAJ_DamaskCU

The pattern in the middle is based on the Prince of Wales Sanquhar pattern

Unsurprisingly, weaving in and out of the fabric mutes the colours of the crewel wool when seen from a distance. And these colours do deserve to be seen in all their glory:

HAJ_AppletonsCU

Appleton Bros. Ltd. London, 100% Wool, made in England Crewel Wool

So I have just started adding a row of what I have called “Finnish” darning in the past, by want of a better word. This really shows off the colours:

HAJ_SingleCordedBrusslesStitch

As an aside, when I was browsing through a stumpwork book, it turns out that in this needle lace tradition it is called Corded Single Brussels Stitch, but, as a few people have pointed out, it also appears to be a variation of nålbinding. Whichever name you use for this stitch, I just love the way it looks.

It might take a little while yet to finish the Hello Amazing Jumper, but I will be taking it to my one-day darning workshop to share these techniques at Hope & Elvis on Saturday, 4 May (please note, this is now fully booked.) I will also run the same workshop in Glasgow, on Saturday, 18 May at The Stitchery Studio - for which there are still a few places available.

Last but not least, I’ll be running my usual darning class at Super+Super HQ on Friday evening, 10 May.

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Wool House, a showcase of the use of wool in many different guises at Somerset House, has now come to an end. Wool House was organised by the Campaign for Wool and I got to play a part in it, too. What’s more, my drop-in darning sessions were a great success and the Campaign for Wool added them to their highlights of the exhibition!

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Drop-in darning at Wool House. Photograph © Campaign for Wool and used with their kind permission

As you can see, it was really rather busy – and it was like that all weekend long. In the background you can see two felted wallhangings by Claudy Jongstra. I’d love to see some of her large site-specific installations. Some people knew I was going to be at Wool House, so they brought along holey jumpers and socks, but I also provided swatches to practise on.

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Concentration at Wool House. Photograph © Howard Sullivan, Your Studio and used with his kind permission

I also ran a darning master class. As this was more in-depth, I had to restrict this to six people only, but many people watched over our shoulders. For many, darning seems to be connected to memories of grandmothers or mothers regularly taking up darning mushroom and needle. These stories got shared with other visitors and me – somehow this simple act of repairing, either by doing or by observing, is very emotive.

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Master class in darning. Photograph © Sue Craig and used with her kind permission

We learnt how to do Swiss darning, or duplicate stitching: a good way to reinforce threadbare fabric which hasn’t developed into a hole yet.

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Swiss darning in action. Photograph © Sue Craig and used with her kind permission

And of course, we also wielded darning mushroom and needle. The darning mushroom in particular opened up conversations about mending, as many people have their nan’s or mum’s one, or remember somebody in their family using one frequently. Whilst darning, people start to reflect on repairing garments, what certain items of clothing mean to them, their motivation for repair, and how they get completely absorbed in the act and find it meditative and relaxing. I think this is probably in great contrast to the times when people had the necessity to darn and repair their clothes and it was viewed as a chore.

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Stocking darning, the finer points. Photograph © Sue Craig and used with her kind permission

Of course, I was very happy that darning was so popular, although it did mean I didn’t get a chance to look around as much as I would’ve liked to, or chat to other people showing their skills. Luckily some of my friends took pictures that they have let me use with their kind permission. As the beautifully curated rooms have been discussed at length in other places, I have picked here a very small selection of all the things I would’ve wanted to have learnt more about:

Savile Row tailoring: as I have tried to do some more sewing lately, I’m utterly in awe of all the work that goes into making a suit or a couture gown.

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Pattern blocks. Photograph © Howard Sullivan, Your Studio and used with his kind permission

I may have mentioned before that I have taken up spinning as well. One of the things I want to do soon, is use my handspun yarn for weaving. After all, darning is weaving on a really teeny-tiny scale! I’ll start with a simple home-made frame loom; it’ll be a while yet before I will be able to make something as beautiful as Jason Collingwood can, using a huge loom.

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Jason Collingwood weaving. Photograph © Howard Sullivan, Your Studio and used with his kind permission.

As somebody who really likes hand-stitching buttonholes – yes, really! – I could not finish this post with a perfect example of the art.

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A buttonhole, perfectly stitched by hand. Photograph © Howard Sullivan, Your Studio and used with his kind permission.

With many thanks to Campaign for Wool,  Howard Sullivan of Your Studio and Sue Craig, who runs Knitting the Map, for letting me use their pictures.

One final post-script: you can still sign up for my sock-knitting three-week course; taking place 14, 21 and 28 April. More details here.

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“I wish I knew how to knit socks,” “I’d love to be able to knit my own socks,” “wow, did you really knit those socks yourself?” “do you teach sock knitting?” are comments and questions I frequently hear whenever I run one of my darning classes or workshops.

KnitSocks

I’m happy to announce that in April, I will start my first sock-knitting short course!

This sock knitting course is aimed at the intermediate knitter, who already knows how to cast on, knit, purl, increase, decrease, and cast off. You may have knitted a sweater, but haven’t tried knitting in the round yet. I will teach you how to knit basic, well-fitting socks on double-pointed needles from the cuff down.

During the first session (Sunday, 14 April, 11am-1pm), you will learn how to knit in the round on double-pointed needles (also known as DPNs); a suitable cast-on technique for socks; and taking the right measurements. Then, when you get home, you can be confident to cast on the right number of stitches to knit the cuff and the leg.

During the second session (Sunday, 21 April, 11am-1pm), you will learn how to turn the heel. Although I’ve knitted many socks, I still find turning the heel a small miracle. I will also show you how to decrease for the toe. Again, I’d expect you to do some home work, and knit all the way to the toe.

During the third session (Sunday, 28 April, 11am-1pm), you will learn how to graft the toe closed. This technique is sometimes known as Kitchener stitch. We’ll discuss some common sock knitting pitfalls and you’ll leave with the confidence and knowledge to knit sock number two, three, four, and more!

Sock wool and a set of double-pointed needles are included in the price, as is a handy cheat sheet to refer back to techniques and to help record all the necessary numbers to continue your sock knitting adventures. All this for a mere £65! the classes are held at Super+Super HQ, Brighton.

You can sign up by following this link.

Sanquhar Socks

Socks with a Sanquhar-inspired design.

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Dear readers, I can’t believe it’s already mid March! I have so much to share with you, that I’m not sure where to start. So, in no particular order I shall mention some of the highlights of the last few weeks and the coming few months.

First of all, a few announcements on upcoming classes and workshops:

Sock Knitting

Whenever I run a darning class I show my hand-knitted socks that I have darned. For all of you who have asked if I will teach sock knitting, I can now say: yes I do!

KnitSocks

My first sock knitting class is in April, run over three consecutive Sundays (14, 21, 28 April). I will expect participants to do some “homework,” but as this involves knitting, I think it could be worse. You can book here and find more details. This class is aimed at the confident beginner, who already knows how to cast on, cast off, increase and decrease. Learn to knit in the round, turn heels and graft toes.

Darning

Darning is really taking off, and I will be doing quite a few events in the next few months, spreading my love for darning and mending.

First of all, I will be at Wool House at Somerset House, London, for some drop-in darning this weekend (16, 17 March) and a darning class on Friday, 22 March. All for free! Wool House showcases some different uses for wool, and promises to be spectacular.  Check all Wool House events here, including my darning activities.

Secondly, I will be doing my regular Super+Super HQ darning class on Friday, 10 May.

TOM SAYS DARN IT

You can book for this event here. And for those of you who wonder: although these techniques are used for knitwear repair, no previous knitting experience is necessary.

Still there is more! Third and fourth mention go to two one-day darning workshops. These run from 10am-4pm and are a more informal affair. I will introduce the concept of Visible Mending, show examples of various techniques, and then we’ll discuss everybody’s repair needs. Then we will all just pick up needle and thread and start mending!

I will be at Hope & Elvis, in Worksop, Nottinghamshire on Saturday, 4 May. This event is now sold out.

I will be at The Stitchery Studio, Glasgow on Saturday, 18 May. Find details here to sign up.

And more…

Yes, there is still more to share! I will just give you some glimpses of what has kept me so busy in the last four weeks or so. I will expand on all of this in my next few blog posts:

The Curiosity Cabinet of Knitting Stitches was exhibited at Prick Your Finger, London:

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Crafty Magazine interviewed me about The Curiosity Cabinet of Knitting Stitches. It’s a new magazine and it will also feature male crafters, because we do exist!

I have been bitten by the spinning bug. I went to the spinners meet-up at The Green Centre last Friday, where Sue Craig is leading the Knitting The Map project. The aim is to prepare, spin, dye and knit a 1792 map of Brighton; known as Brighthelmstone at the time. I spun up some Lincoln longwool, which I combed myself:

LashedOn

When I went to Prick Your Finger last weekend to collect my Curiosity Cabinet, we had a right spin-off, as Cecilia Hewett was visiting, and so was Felicity Ford. You may have read her three-part spinning story over on the Wovember blog. She gave me some invaluable advice on how to spin Wensleydale wool into a lace weight yarn:

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I have also been knitting a jumper, mixing some amazing deepest, darkest Romney from Prick Your Finger with some of my first handspun:

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And I haven’t even started taking pictures of my machine knitted swatches. My friend Amy Twigger Holroyd, who runs the fashion label Keep & Share, and who is working on amazing PhD research, invited me round to her studio for an introduction to machine knitting. Despite my initial prejudices, I really enjoyed it! I hope to do more in the near future.

And more darning. Yes indeed! If all this wasn’t enough, I went to the first Brighton Repair Café a few weeks ago. The Repair Café Foundation was originally founded in Amsterdam, The Netherlands, but has gained huge momentum and has gone global now. I first heard about it at the MendRS Symposium and I was so glad to see that we now have one in Brighton, too.

I think I’m done sharing for now. I hope to see you at one of my sock knitting or darning classes or at Wool House. I hope you have all been creatively occupied, too, with exciting new projects!

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Have you ever wondered about cast-offs that matches your cast-on? Well, my Curiosity Cabinet of Knitting Stitches contains not one, not two, but three such matches. The Curiosity Cabinet opens to the public on 15 February at Prick Your Finger, so come along for a wee drink from 6 to 9pm.

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long-tail cast-on matched with Elizabeth Zimmermann’s “casting on casting off”

Matching your cast-off technique to look like your cast-on won’t take you any extra effort, yet it is one of those details that really gives a finishing touch to your knitted item. One of my favourites in these matching looks is the tubular cast-on and tubular cast-off for 1X1 ribbing:

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tubular cast-on paired with tubular cast-off

I just love how the stitches just roll over the edge to the other side, and as this cast-on is tubular, you have also knitted a neat little channel in which to hide your yarn tails. A winner all round. Indeed, these are the techniques I used for Susan Crawford’s Kasha cardigan, to match the ribbed edges throughout the garment.

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Kasha cardigan, with matching ribbed edges

As you probably know, the most common used cast-off is the chain cast-off: knit 1, [knit 1, pass second stitch on right needle over the first stitch and off the needle], repeat to end. This is a nice, firm cast-off that gets used very often, and wouldn’t it be great if you could have a matching cast-on? Well, you can. May I present to you the crochet cast-on!

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crochet cast-on complements the chain cast-off

This would be a good match for a scarf, for instance, as they give a firm edge and thus prevent the ends flaring out. If you would like to see these curious stitches in person, then come along on 15 February to the private view at Prick Your Finger, or pop in over the following few weeks.

Or, if you want to add these little gems to your knitting repertoire, then you can join my Curious Stitches workshop on 16 February 1-3pm; sign up here! I will teach you all six techniques shown in the green swatches above. This class is aimed at intermediate knitters.

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Goodbye 2012

Some of my personal highlights for 2012, a year in which I saw my making and mending practice bloom, are almost too many to count. I’m thankful for all the people that believe in me, with a special mention (in alphabetical order) to Susan Crawford, Felicity Ford, Louize Harries, Rachael Matthews, and Linda Newington; and last but not least, all my blog readers. So, without further ado, here are some of my highlights:

Commissions:

THAT Green Cardigan, was a commission that I really enjoyed doing, contrasting luxurious soft dyed cashmere with sturdy, natural Jacob wool.

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Invisible Mend: this commission was a learning curve for me, and rather scary: an invisible mend of a beautiful 1950s (?) Aquascutum woollen coat:

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Mending:

I started teaching regular Darning Workshops in Brighton at Super+Super HQ (incidentally, the next one is on Friday, 1 February 2013). I have also been roaming the country for one-off workshops. One that I particularly enjoyed took place at the Shipley Art Gallery in Gateshead.

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I also started taking my darning to a whole new level: meta-darning Sanquhar Socks.

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My favourite Visible Mend of 2012, however, must be my shoes!

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I felt honoured when I was asked to be Mender in Residence at the MendRS Symposium. I met so many amazing people and I got to talk about mending in a barn, what’s not to like?

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Knitting:

In 2012 I also released my very first knitting pattern: A Sanquhar-inspired Pencil Case.

SPC title page blog

I presented at In the Loop 3. Incredible that it is possible to talk about knitting for three days, my head was spinning for days afterwards. Alas, I didn’t take any pictures, as I was completely immersed in a different world.

Although I’m no speed knitter, I did manage to churn out a lace stole sample knit for the cover of Susan Crawford’s Coronation Knits in 3.5 days.

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Coronation Knits Cover © Susan Crawford and used with her kind permission

Wool:

For the woolheads amongst us, November was transformed into Wovember. A month-long turbo-celebration of all things wool. This was the first year I helped out, and I curated a series of posts called Wovember Words. It also spurred me on to start sewing and I made myself a pair of Woollen Trousers.

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2012 was a great year, and I hope to continue this in 2013.

Hello 2013

Mending:

One of the things I really enjoy doing, is running my darning workshops. So I will continue my regular workshops at Super+SuperHQ, although somewhat less frequently. Also, I will be doing more one-off workshops. You can stay up-to-date by following me on facebook and, of course, my blog.

TOM SAYS DARN IT

As I learn more about darning, I realise there are more darning techniques to be explored then just the regular Swiss darn and stocking darn; a new world is waiting for me.

Knitting:

One reason for doing less darning workshops, is because I want to start offering knitting classes at Super+Super HQ. I’m working on a Sock-Knitting Workshop – details to be announced in a few weeks!

Sanquhar Socks

Art:

At long last, the Curiosity Cabinet of Knitting Stitches will see its first outing. Head over to Prick Your Finger in February (Private View on 15 February, Tom’s Curious Stitches short workshops on 16 February).

CAbinet1

Once the Curiosity Cabinet of Knitting Stitches Show has finished, I will start working on Bursiforms: an exploration of seamless containers.

New Skills:

Last but not least, in my quest of making my own things, I will start developing my sewing skills. With knitting, I know now how to make garments that fit me, without using commercially available patterns and I want to be able to do the same for sewing. In 2013 I would like to learn how to draft my own trouser and shirt patterns.

And to take the ‘making my own things’ a step further, I have started spinning. I’m taking this very slowly, using a drop spindle to get familiar with drafting fibre and everything that comes with it. Having done a little bit of fibre preparation, I’m amazed at how different wool is when you use it from scratch. It highlights how processed commercial knitting yarn is in order for the mechanical spinning process to work smoothly.

Here’s to a new year; I’m curious to see how all this will develop over the course of the next twelve months. I hope you have plenty of ideas, too!

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Or to be more precise, I visited Gateshead, as I was invited by The Shipley Art Gallery in Gateshead, which is just on the other side of the river Tyne from Newcastle. The Shipley has a new exhibition on, called ‘Collected Threads,’ celebrating 35 years of the Shipley Craft Collection. One of the events around this exhibition was the Shipley Late last Friday, where a number of artists and makers were asked to lead drop-in workshops. Amongst others, one could learn to make Suffock puffs, make jewellery out of bicycle inner tubes and felt collars. And, of course, how to darn!

The Shipley Art Gallery opened in 1917, bequested by Joseph Shipley, who was a local sollicitor. He had a large collection of paintings. Here’s one of them:

Unfortunately I did not manage to note any particulars of this painting, so I don’t know who painted it, or who’s portrait it is. Although I don’t think it’s a Vermeer, it does have a certain Dutch feel to it. If anybody knows, I’d love to hear from you!

In 1977, 35 years ago exactly, The Shipley started to collect contemporary craft made in Britain. It contains about 400 objects and some of the highlights are currently on display as part of the new exhibition. I particularly liked this tapestry by Sandra Milroy, titled Bleached Wall Under Thatch (1980-1982):

I love the contrasting textures and irregularities and the colours she used. It has a very warm feel about it through the use of wool and hessian. Another example of texture and wool, but this time entirely practical, where these three beautiful ganseys:

My hands are itching to knit one! But that was not what I was at The Shipley for. I set up my little stall with darned socks, a large and motley collection of threads and yarns and an abundance of swatches and needles:

Hiding under the table you can see the wheels of my trolley that helped me transport all these treasures to the gallery. The doors opened at 6pm and it didn’t take long before it was buzzing with people, drink in hand, walking around and soaking up the creative atmosphere. Here you can see yours truly, discussing yarns:

There was a wide range of darning skills to be found in Gateshead. Some people told me they darned all the time, whereas others had never darned in their lives. I was shocked, however, that one girl told me she THREW OUT HER HANDKNITTED SOCKS when they developed holes as she didn’t know how to mend them! I’m pleased to report that after last Friday, this shall not happen again, ever.

Many people knew that I would be teaching darning, and they brought with them cherished items in need of some Tender Love & Care. This ranged from a wild Italian knit from the 80s (colourful flowers on a ground of black and white checks, it looked much better than I could ever describe it – if only I had taken a picture), to these lovely Scandinavian hand-knitted gloves:

The left glove, confusingly displayed on the right, had been darned previously in a cream coloured yarn. The lady who brought them told me that she didn’t know who had knitted these gloves, as her husband has had them for years, and they are his absolute favourite gloves. I was not surprised to hear this, as they were nicely knitted, and had a classic Nordic Rose (or star) on the back. The right glove, as displayed on the left, had some big holes in the index finger and thumb, and the lady who brought them in was enthralled by my glove darner. She told me it made darning so much easier!

I also learnt some darning techniques from the visitors. One lady in particular showed me some invisible mending principles, which she had learnt from her grandmother. I wish I could have met her grandmother, and learn all the tricks!

With around 200 visitors the Shipley Late was a very successful and fun evening, and learning as well as teaching made it an even more worthwhile event. If you’re in the neighbourhood, I can heartily recommend a visit to The Shipley and who knows, you might bump into some darning!

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