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Posts Tagged ‘2015’

Happy new year to all my blog readers! Now that it is 2016, I would like to reflect on what 2015 brought me, and my thoughts about the year ahead.

Tea Hat with toast, marmalade and Wood's Ware in Beryl

A knitted ‘tea hat’, made from my handspun yarn, was the start to 2015

The year just gone has been really rather busy for me, despite wanting to take it a bit slower. But then there were so many exciting places to go, amazing people to see, and creative projects to make! Here are some recurring themes in my year:

Community

pitt rivers class picture

Darning Master Class at the Pitt Rivers Museum

First and foremost I feel part of a textile community, and 2015 really reinforced this belonging. Attending events and venues such as Edinburgh Yarn Festival, Shetland Wool Week, Pitt Rivers Museum, and In the Loop 4, where I managed to meet up with friends old and new played a big part in this.  They all provided fertile ground for discussions about knitting, fibre, and wool. But it wasn’t all serious, it was a good way to catch up with old friends, and meet others for the first time, even if I knew their work well, or knew them through social media. It always feels good to meet like-minded people, discuss shared interests, and continue the conversations afterwards. It was nice to see friends taking on new projects and run away with them, and being able to help them out.

Creativity in Technique

Heraldic Sweater Front View 2

Creativity in technique: my Heraldic Sweater, combining sequence knitting and patching

In 2015 I learnt a lot of new things and many of these revolve around technique. Some bigger than others, ranging from a new-to-me superstretchy cast-on (double needle cast on, see June Hemmons Hiatt’s Principles of Knitting) to a whole new way of creating complicated textured fabrics using simple techniques, called Sequence Knitting. My interest in 1980s knitwear has blossomed last year: once you can see past the boxy shapes, a heady mix of technique, colour, and texture is revealed, and nothing was deemed too complicated. A collaboration with Wolf & Gypsy Vintage allowed me to explore the repair of woven textiles.

Wolf and Gypsy Trousers VMP Detail

hand-stitched patches, and a tailored buttonhole in this piece for Wolf & Gypsy Vintage

‘Slowness’

Handspun from Shetland Wool Week 2015

Handspun yarns from a workshop I attended at Shetland Wool Week, with apologies for the poor picture quality

Last year I’ve been thinking a lot about taking time in my creative practice. In a shift of focus from trying to keep things looking new and perfect to favouring the old and imperfect, means I’ve stopped looking at repair as a chore, but as a creative challenge in its own right. Instead of fixing something that is broken, which implies the item was finished, I now continue working on something that wasn’t complete yet.

Slowtober‘ has given me a lot of thought about the materials I use, whether these are secondhand or new, and as I explained in the linked post, there is lots of food for thought. One material that made me really happy, though, is Louise Spong’s South Down Yarns. The sheep that provide the wool roam the South Downs near where I live, and if you read my interview with her and Jenny Dean over on the Wovember blog, you will learn about the provenance of the yarn, and the sensitive way how it is dyed.

And this leads me neatly to the year ahead.

And for 2016…

Darning sampler 1892 diagonal slash darn back

Frozen in time: a mend on an antique darning sampler that will never be completed

In 2016 I will continue walking down the slow path I’ve turned onto, taking step after thoughtful step. Some of the plans I had made for last year didn’t come to fruition, so this year I’m going to be even more careful with the time I have for being creative. As I want to take things slow, it doesn’t bother me unduly that I didn’t start certain things, and it’s always good to have plenty of ideas. Here are some of them:

I would like to spend more time spinning; I have plenty of fleece to keep me busy, and I’d love to spin a sweater’s worth of yarn.

The Wolf & Gypsy Vintage collaboration, my interest in antique darning samplers, and my old books on clothes repair mean I would like to spend more time teaching myself more sewing skills, and I’d love to make a modern version of a ‘plain sewing’ sampler.

I also have more ideas for creative knitting, and like the Heraldic Sweater pictured above, they combine technique with elements left to chance. As always, I look forward to sharing my pursuits here on my blog, and I hope you will enjoy strolling along in the most leisurely fashion. Happy new year!

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Dear readers, first things first: a happy new year to you! I hope 2015 will be full of many fullfilling spinning, knitting, darning, and other crafty pursuits. I’d like to thank you all for following my blog and leaving me comments; I really appreciate your interest and support.

It’s a time for reflection, so I want to share with you some of my 2014 highlights, and also talk about what I have planned for 2015. I hope you will be as excited about that as I am!

2014

Looking back at my blog posts, I find I have done a lot of things, and I also realise there are a fair few things I haven’t even got round to share with you.

In chronological order here are some of my personal favourites of last year:

Creative knitting

Mary Walker Phillips Exploration Swatch Wall Hanging

A linen swatch, exploring Mary Walker Phillips’s book Creative Knitting

Returning from my parents after Christmas 2013, I had found out about Mary Walker Phillips, who wrote, amongst others, Creative knitting. For somebody who usually does a lot of planning and swatching this was a refreshing approach. After knitting this linen swatch I have been taken her philosophy to heart, and it’s given me a sense of freedom and let things happen as they come. As I always need a balance in my practice, I have also started a jumper with the largest amount of planning and swatching I have ever done. Using these different approaches side by side means they inform each other and make me value them both more than I did before.

Playing with wool with Deborah Robson

Wool Types workshop with Deb Robson

Deb Robson in her element: wool and spinning wheels, and a captive audience

2014 was the first time I went to Fibre East as I really, REALLY wanted to attend Deb Robson’s class on wool types. I almost didn’t make it, as I had an awful flu the days before, but I’m glad I went, as half a year later my head is still spinning (pun intended!) with all the possibilities of wool. Deb Robson is most generous and amazing in sharing her knowledge and knows how to get anybody interested in wool. Unfortunately I did not have much time for spinning since, so this is something I would really like to remedy in 2015.

Friesian darning samplers

Fries Museum stoplap darning sampler 4

One of the many darning samplers I saw at the Fries Museum

When the textile conservator of the Fries Museum, Gieneke Arnolli, invited me to view their collection of darning samplers, I couldn’t wait to get on the plane! I thoroughly enjoyed my visit and Gieneke’s hospitality. I learnt so much from it I had to write not one, not two, but three blog posts about it. It has inspired me to learn more about repairing cloth in the coming year.

A visit to Sanquhar

Sanquhar Gloves with Initials

Darned Sanquhar gloves, what a treat!

I have a bit of a “thing” for the traditional gloves from Sanquhar, so I was more than happy to attend the one-day workshop in Sanquhar itself. I gave a presentation on the Sanquhar knitting tradition, met a lot of interesting people, and developed a bit of a “thing” for Scotland – to be fair the first seeds for that were sown a long time ago.

Hacking the KNITSONIK System

KNITSONIK System Swatch Complete

A swatch made according, or against, the KNITSONIK System, depending on your point of view

My comrade in wool and good friend Felicity “Felix” Ford, published a book on how to find inspiration for stranded colourwork patterns in everyday things. She asked me to hack her system and I enjoyed taking on this challenge. As I had helped her out a bit with the book, we have had many conversations on rules and guidelines you can set yourself, and on how strict her instructions in her book should be. I think we both learnt a lot from this, and it has added a new perspective on my quest to be a more creative knitter and trying to let go of rules and planning.

Mending

Of course my year is not complete without some mending and repairing, and I have worked on two very special commissions this year, so they deserve a special mention.

The Visible Mending Programme - repaired jumper

“A Mother’s Work” repair commission for a private client

A Mother’s Work” was a very special repair commission that went much further than simply fixing a jumper. Being asked to repair somebody’s jumper made by her mum who has passed away proved to be a very intimate experience.

Knitting and Crochet Guild Commission in colour

Knitting & Crochet Guild Repair Commission

The other special repair was commissioned by the Knitting & Crochet Guild, and it allowed me to use some traditional techniques, which I have highlighted by using naturally coloured undyed yarns.

And apart from the things I did blog about, I have done some other things that made 2014 a great year for me: I made a jumper with a graphic design on the front built up in single row stripes and other technical details; I have been interviewed a few times by PhD students, magazines, and newspapers, which helped me think about and better understand my own practice; I volunteered at the monthly Brighton Repair Café, which I thoroughly enjoy, so I’m looking forward to many more meet-ups to come (incidentally, the next one is on 31 January 2015.)

2015

I’m much looking forward to 2015, as I have plenty of things I’d like to get done, such as:

Repairs

Late last year I met up with my good friend and repair comrade Bridget Harvey, and we have started a repair dialogue. We want to explore the difference between functional and non-functional repair, using a pair of tatty tea towels.

My visit to the Fries Museum has given me an insight in repairing cloth, and also about the way you can learn to repair, and who traditionally performed repairs of household items and clothes. I want to learn more about repairing and darning cloth, using some early 20th Century Dutch lesson plan books I have.

Spinning and creative knitting

Spinning and creative knitting will meet each other this year, as I have a project in mind that involves first spinning up British rare breed fibres, and free-form-knit them up in some sort of mythological cloak. I want to learn more about the role of clothes in myths, sagas and folklore at the same time.

Finishing things

There are also some things left over from 2014 that need finishing. Most importantly a Shetland fleece spinning project that’s currently on hold; I have started a jumper in brioche stitch (this is the project I mentioned earlier, for which I’m doing a extraordinary amount of swatching and planning.) I’m also knitting a  version of my Tom of da Peathill cardigan in a more roomy version; I have one sleeve left to do!

In summary, 2015 will be a year in which I will be doing a lot of personal, slow craft projects. Some of you may know that I also have a full-time office job, so in order to make sure I get to do the things I want to do to grow as a maker and mender, I have decided to run fewer darning workshops this year. I’m sure I’ll keep myself busy with planned things, and any surprises that might pop up. I hope you are looking forward to a new year as much as I do!

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