Feeds:
Posts
Comments

Posts Tagged ‘Sanquhar’

Dear readers, it is with great pleasure I can present to you tomofholland’s very first pattern. The Sanquhar Pencil Case Pattern is now available for download in the Prick Your Finger webshop.

The original pencil case, shown in the background, was a graduation present for my partner. I wanted to give him a small knitted item, which he could use every day, without having to worry about spilling food down the front… And as he was forever digging in his bag for pens, this seemed just the thing. The pattern is inspired by the traditional Sanquhar gloves, in the cornet & drum pattern. I have knitted Sanquhar gloves in the fleur-de-lys pattern:

The Sanquhar patterns can be broken down in four parts, which all come back in pencil case:

1) the cuff is knitted in a rib stitch, with the knit stitches in the light colour and the purl stitches in the dark colour. Usually there are accents of the dark colour in the knit columns. I have used one such cuff pattern for the top of the pencil case:

2) the wrist in a Sanquhar glove is always knitted in a salt-and-pepper spot pattern. I used this element at the underside of the pencil case:

3) the other distinctive feature in Sanquhar gloves, is that the wearer’s initials are worked in the cuff too. This can be found on one side of the pencil case:

The pattern comes with an alphabet and blank name plate chart, so you make your own initials!

4) the last element is the patterning of the hand and fingers. Sanquhar gloves can be divided into two distinct styles. Tweed patterns, like my fleur-de-lys gloves, and so-called ‘dambrod’ patterns, which has repeating designs in a strong grid. The cornet & drum version of this, is what I used for the other sides of the pencil case:

The original pencil case was knitted on double-pointed needles and required grafting the bottom closed. I was very lucky that Dr Felicity Ford offered to test-knit my pattern, as apart from invaluable feedback on pattern lay-out, she also brought to my attention Judy’s Magic Cast-On. This means that this pencil case is completely SEAMLESS. You cast on. You knit. You cast off. You’re done.

For the pencil case I used some left over fabric from a pair of boxershorts to line them. Who else can boast a matching pencil case and pants?

Releasing my very first pattern is a cause for celebration in my book, so one lucky winner will be given a free copy of the pattern, and two balls of Jamieson’s Shetland Spindrift, in burnt umber and surf, to knit your very own Sanquhar Pencil Case. To enter, leave a comment below and tell me what you think is just the thing to co-ordinate the pencil case with this season. After two weeks, I will select the most amusing answer and post the pattern and wool to the lucky winner.

Read Full Post »

Today I made a field trip to the Knitting Reference Library at the Winchester School of Arts. I packed my lunch consisting of a pear and that stalwart of Dutch sandwiches: peanut butter on brown bread. After a two-hour train journey I arrived at Winchester and found my way to the Winchester School of Arts. While I was waiting in one of the main libraries to meet the very knowledgeable Linda Newington, I thumbed through a Complete Book of Needlecraft, where I found the following instructions for the rather obscure Christie cast-on method:

This was a promising start, seeing I wasn’t at the actual KRL yet! Soon after Linda turned up and she took me to the Sanctum Sanctorum of Knitting. The KRL comprises the collections of Montse Stanley, Richard Rutt and Jane Waller. All three have built up extensive libraries of reference books, patterns, leaflets, objects and ephemera related to knitting; and they all come together at the KRL. After Linda made me feel at home, I soon settled in and got down to the purpose of my visit: researching glove construction. Although the knitted objects collected by Stanley and Rutt are housed in a different building altogether, there was one box of gloves available to rifle through…

I got very excited indeed when I saw not one, not two, but THREE pairs of Sanquhar gloves! With kind permission of the Knitting Library at the Winchester School of Arts, I can present you the following photographs I took of a 1846 Sanquhar glove replica, knitted by Rutt himself:

It’s a design I have not seen before.

Starting at the bottom, there is a fringed cuff to be found, and not a single corrugated rib in sight. The customary wrist inscription goes all the way around and reads “G. Walton  1846”. The bands separating the inscription from the other parts of the glove are made of small peaks.

The back of the hand shows three prominent zigzag bands with small diamonds. The main pattern looks like a variation on the midge and fly, and it’s very handsome too.

As you can see, the thumb gore is outlined in both a white and a black stitch. The increases are made inside these two stitches and they are evenly spaced up to the base of the thumb. It is knitted in wool in natural white and (dyed?) black, and the tension comes in at 12 stitches per inch. I didn’t take pictures of the other Sanquhar gloves, as they were in the, dare I say, ubiquitous Duke pattern, although they were also incredible feats of knitting, with a guestimated tension of appr. 20 spi!

 

ERRATUM, added 24 July 2011: after sharing this blog post with the Sanquhar Knitting Group on Ravelry, it soon transpired that this glove is not a replica of a Sanquhar glove, but of a Yorkshire Dale glove, which explains all the differences I noted. Rutt found the original in the Wordsworth Museum in Grasmere, but I don’t know if they are still there. And in fact, there is a photograph and a pattern graph in Rutt’s A History of Hand Knitting (pages 123 and 124 in my edition of the book, which is an Interweave reprint).

 

After dissecting this glove it was time for a tea break and Linda and I had a nice chat about the next In The Loop conference, which will take place in September 2012. After the break, I trawled through loads of knitting books, made lots of photocopies, secretly wanting to take the whole library home, but instead making lots of notes:

Postscript:

On the way home I got chatting to a lovely lady, who was an avid knitter herself, and perhaps even more exciting: an expert cake baker! She carried a cake she made for one of her grandsons, and it was in the shape of a treasure island, complete with palm trees made from Flakes, a Lego rowing boat and a here-is-the-treasure-hidden cross made from chocolate. She told me a bit about her travels when she was younger. She taught English in Nepal, Hong Kong and other places when she was, erm, somewhat younger. And then we talked about that amazing cake again and it’s a tradition now that she makes a cake for each of her seven grandchildrens’ birthdays. They love their gran’s special birthday cake so much they give her designs nine months in advance!

Read Full Post »

Now here is an object that has yet to make its way into the FutureMuseum collection: a knitted pencil case. The pattern combines elements of typical Sanquhar designs. I made this pencil case for my partner who’s about to graduate and I hope he will make good use of it when he goes on to do a Masters in Modern History.

Needless to say, it was knitted in my favourite yarn: Shetland spindrift. The green is called Bracken and the cream is actually a marled yarn in mooskit and white. The pencil case was knitted in the round using the magic loop technique and is completely seamless, although I did need to graft the bottom closed. I knitted with the cream in my left hand and the green in the right. As my left-hand tension differs from my right-hand tension, single green stitches don’t stand out. I suspect that swapping the carrying hands will make a difference, so that’s something I will investigate and report on.

Find it on Ravelry here.

++++++++++++++++

Blog post update (10/04/2012): I’m pleased to let you know that this pencil case is now available as a downloadable pattern from the Prick Your Finger webshop.

Read Full Post »

Almost two years ago I found out about the knitting tradition in a town in Scotland called Sanquhar. Having been developed in the 16th and 17th century, their style is very distinctive: two-colour stranded patterns, mainly for socks and gloves. You can find more information about them on the Future Museum website. I’m somewhat smitten by the gloves and I ordered all four available patterns from the SWRI (Scottish Women Rural Institutes). My first endeavour was going to be the midge-and-fly glove, but when I saw the fleur-de-lys on the aforementioned website, I couldn’t resist and I adapted the pattern thusly:

As you can see, I knitted in my initials, which is part of the traditional pattern. The next gloves I would like to make have a very different style. The fleur-de-lys is a tweed pattern, but the Duke pattern gloves is a so-called dambrod pattern and the squares fit in just so. Achieving stitch gauge isn’t that difficult, but achieving row gauge – crucial to get the right fit AND keeping the squares – requires finding the right yarn. So here’s a test knit, using Blacker Yarns 50/50 British Wool with Mohair 2-ply Sock Yarn. I used all different dambrod designs I could find:

Yes, the feet look ridiculously baggy, but these socks fit like, erm, a glove!

And I think I have found a suitable yarn to boot.

Read Full Post »

« Newer Posts

%d bloggers like this: